Every week, Chautauqua Opera is sharing the incredible work of our former Young Artists. Make sure to follow us on social media to stay up to date.
Angela Yam
It’s time for another Young Artist Alumni shoutout! This week we’re highlighting 2023 Apprentice Artist Angela Yam, who stole the hearts of Anthony and our audiences as Johanna in our mainstage production of Stephen Sondheim’s Sweeney Todd. Bringing Johanna to life over our six-week production period, Angela took the stage with guest artists Kevin Burdette (Sweeney Todd) and Eve Gigliotti (Mrs. Lovett): “It was such a fulfilling experience to work alongside world-renowned artists….I learned a lot about the industry and what a professional career can look like.”
Angela also showcased her remarkable talent at our annual “Opera & Pops” concert with the Chautauqua Symphony Orchestra. This beloved Chautauqua event takes place in our historic Amphitheater, which seats over 3,000 people, and features our Young Artists performing hits from both musical theater and the operatic canon.
Angela mesmerized the audience with her poignant rendition of “The Beauty Is” from Adam Guettel’s The Light in the Piazza. She also dazzled with her impressive high notes, singing selections from Donizetti’s L’elisir d’amore and Verdi’s Rigoletto. Angela expressed her enthusiasm, stating, “It was a thrilling experience to join the amazing players of the CSO and be inspired by their artistry.”
In 2025, Angela is set to lend her voice to a variety of exciting roles. Her upcoming engagements include Rabbit/Horse in The Big Swim at Asia Society Texas with Houston Grand Opera (February 2025), Orsia in The Pigeon Keeper with Opera Parallèle (March 2025), and Calisto in La Calisto with Opera Memphis (May 2025).
Emily Michiko Jensen
Exciting news from the Chautauqua Opera Company! We’re thrilled to celebrate our incredible Young Artist alum, Emily Michiko Jensen, who just made her debut as Mimì in La Bohème with Hawai’i Opera Theatre and as Musetta with Borderland Arts Foundation!
No stranger to Puccini, Emily spent the summer of 2022 as an Apprentice Artist covering Tosca on our mainstage. She shares, “Getting to try out various roles each season and learn from the guest artists has been an incredible experience.” That same season, Emily also sang Angel More and covered Susan B. Anthony in Thomson/Stein’s The Mother of Us All.
Having spent three summers at the Institution as a Studio and Apprentice Young Artist, Emily reflects on her continued connections with the Chautauqua community, which leaves her “always feeling supported and encouraged” wherever her work takes her. A recent performer on our Moschel Memorial Recital, Emily notes of her return to the grounds that she’s “always grateful for the warm welcome from the entire Opera Company & Guild.”
Emily’s trajectory with Chautauqua Opera Company is a wonderful picture of how a young singer’s career can grow, and how our company can play a recurring role” reflects Steven Osgood. “She was a Studio Artist in my first two seasons as General and Artistic Director, and did consistently terrific work in her cover and ensemble assignments, recitals, and masterclasses. Then for several years she would sing for us, but we did not have the right opportunity to invite her back to Chautauqua. I remember vividly how exciting it was to reach the end of our 2022 Young Artist audition cycle and find that Emily was the perfect singer for an Apprentice Artist position, covering the leading roles of Tosca and Susan B. Anthony, and singing Angel More. It was a very happy day when I got to call her and offer the contract, and then a thrilling summer to watch her excel in everything!
Kelly Guerra
Congratulations to ‘20 and ‘21 Young Artist and ‘22 Guest Artist Kelly Guerra, who will make her debut at The Metropolitan Opera on October 15th in Osvaldo Golijov and David Henry Hwang’s Ainadama.
Of the program, Guerra shared “Summer of 2021 was my first in-person summer at Chautauqua, and I had the immense honor of singing the role of Ruth Bader Ginsburg in Derrick Wang’s Scalia/Ginsburg. I felt extremely lucky to be singing anything, especially a leading lady, considering the year we had all just had in lockdown. For me, that summer was magical. I had the most incredible colleagues, and the admin team and musical staff were amazing. I was invited to return as a guest the following summer to perform a concert with the Diversity Fellows and workshop Derek Bermel’s beautiful opera, The House on Mango Street. Thanks to my time at CHQ, I was also able to meet the conductor of the Chautauqua Symphony Orchestra, Rossen Milanov, and reprise the role of Ruth Bader Ginsburg as well as sing my first Rosina at the Princeton Festival under his baton. I am eternally thankful for my time there.”
She continued, “When I ran into Steve Osgood on the first day of rehearsal at the Metropolitan Opera for Ainadamar, I shared my gratitude for his belief in me as a young singer. It takes a village to have a career in the arts and I count the incredible folks at Chautauqua as part of my team.”
Additional 2024-25 engagements include Jo March in Mark Adamo’s Little Women with Fort Worth Opera, the alto soloist in Handel’s Messiah with the Glacier Symphony, Isabella in L’italiana in Algeri with Anchorage Opera and Opera in the Heights, María in María de Buenos Aires with Madison Opera and Mrs. Fox in Fantastic Mr. Fox with Opera Omaha.
Listen to Guerra perform “I Moved Here During All Of This” by composer Frances Pollock and playwright and librettist Jerre Dye, after conducting interviews with each of the 2020 Chautauqua Opera Young Artists.
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