Leadership
Jade King Carroll, Producing Artistic Director
Jade King Carroll is the Producing Artistic Director of the Chautauqua Theater Company. She is a distinguished director specializing in new play development, with extensive collaborations with acclaimed playwrights like Dael Orlandersmith, Chisa Hutchinson, Inda Craig-Galván, Kate Hamill, Dominique Morisseau, and Sarah Gancher. She has fostered emerging writers at prestigious organizations such as the Eugene O’Neill Theatre Center, Williamstown Theatre Festival, Roundabout Theatre Company, Lincoln Center Institute, and more. Carroll’s directorial portfolio includes new audio dramas for Audible, Marvel, Broadway Podcast Network, and GEVA Theatre Center.
Carroll’s expertise extends to directing classical and contemporary productions. She has directed over 60 productions nationwide at renowned venues including Shakespeare Theatre DC, Milwaukee Repertory, Lincoln Center Institute, Atlantic Theatre, Hartford Stage, Long Wharf Theatre, New York Theatre Workshop, the McCarter Theatre Center at Princeton University, INTAR, Playwright’s Realm, The Wild Project, Miami New Drama, Portland Stage, Weston Playhouse, Portland Playhouse, City Theatre, Marin Theatre, Primary Stages, Theatreworks, Ebony Rep Theatre, Round House Theatre, Syracuse Stage, Two River Theatre, Playmakers Rep, People’s Light & Theatre, NYC Parks Summer Stages, Perseverance Theatre, Joe’s Pub, and Chautauqua Theater Company. Notable credits include Proof of Love at New York Theatre Workshop, Autumn’s Harvest at Lincoln Center Institute, The Jumping Off Point at Round House Theatre, Seven Deadly Sins – Wrath at Miami New Drama, Detroit ‘67 and Intimate Apparel at McCarter Theatre Center, Having Our Say at Hartford Stage and Long Wharf Theatre, and Red Velvet at Shakespeare Theatre Company. Carroll has directed multiple productions of August Wilson’s work, including The Piano Lesson at the McCarter Theatre and Hartford Stage.
At Second Stage, Jade was a Van Lier and NYC Council of the Arts directing fellow and received a TCG New Generation grant in artistic directing. She is a former NYTW emerging artist fellow, an artistic apprentice at the Women’s Project Theatre, and directing and producing apprentice at the McCarter Theatre Center at Princeton University. She was a Gates Millennium scholar and recently received a 40 under 40 award from her alma mater, SUNY New Paltz. She was also the recipient of the Paul Green Award from the National Theatre Conference and the estate of August Wilson, and the 2020 Drama League Award. She was an associate director on Broadway for A STREETCAR NAMED DESIRE, featuring Blair Underwood and Daphne Rubin-Vega, and THE GIN GAME, featuring James Earl Jones and Cicely Tyson.
As an educator, Carroll has taught and guest directed at Juilliard, Princeton, New York University, the University of Iowa, Penn State, Adelphi University, the New York Conservatory for Dramatic Arts, Point Park University, the University of North Carolina at Chapel Hill, West Virginia University, Bard College, the University of Maryland, Columbia University, and Chautauqua Theater Company.
During her tenure as Producing Artistic Director of Chautauqua Theater Company, she has led two seasons marked by innovative new works, including the world premieres of tiny father by Mike Lew (a co-production with Barrington Stage Company) and a commissioned piece, The Light and The Dark (the Life and Times of Artemisia Gentileschi) by Kate Hamill (co-produced with Primary Stages in NYC). She has also developed works by a diverse group of playwrights, including Sofya Levitsky-Weitz, Chisa Hutchinson, Harrison David Rivers, Anna Ziegler, C.A. Johnson, Sharyn Rothstein, Hilary Bettis, and Kate Hamill. Under her leadership, Chautauqua Theater Company (CTC) secured two NYSCA grants and partnered with the Telsey Office for casting and the Drama League to expand its directing fellows program. Additionally, she collaborated with City Theatre in Pittsburgh to build sets for CTC productions due to challenges faced in CTC facilities.
Most recently, Carroll and CTC have successfully raised $9 million for the new Roe Green Theater Center, which will house CTC offices, rehearsal spaces, a new prop shop, a green room, and a black box theater complete with a lobby and ADR bar.
Emily Glinick, General Manager
Emily will be stepping into this role in her 10th anniversary with the company, having previously served as a stage manager for productions across many years in Bratton Theater, as well as last season in the Performance Pavilion!
Emily brings with her a wealth of knowledge of the theater industry, having spent almost 20 years as a freelance stage manager. A proud member of the Actors’ Equity Association, she has managed over 100 productions for the community, regional, off-Broadway, Broadway, and international tours and festivals.
Last season, Emily was the Production Stage Manager for both Blood at the Root by Dominique Morisseau, and Commedia, directed and devised by CTC Artistic Director Andrew Borba. Prior to last season, she PSM’d for Andrew on Philadelphia Story, and was the Assistant Stage Manager for his production of Twelfth Night. Other favorite Chautauqua Theater Company productions include Shakespeare’s Much Ado About Nothing, Death of a Salesman by Arthur Miller, and The Cherry Orchard by Anton Chekhov.
In addition to her theater experience, Emily brings skills as a small business owner. With a background in massage therapy, movement analysis, mobility training, and corrective exercise, Emily is the owner and founder of Brooklyn Bodywork Collective, a massage, and wellness studio in Brooklyn, NY.
Suzanne Fassett-Wright, Director of Arts Education
Young Playwrights Project
Suzanne serves as the Director of Arts Education at Chautauqua Institution, responsible for the development and implementation of arts education programs in the K-12 public schools. Since her arrival in 2017, over 20,000 students have participated in these programs by writing plays, drumming their hearts out, singing their lungs out and overall, sharing their unique selves through artistic expression. Suzanne also serves as the operations manager for the School of Music, combining her skill sets in education and event production to aid in envisioning compelling performance and learning experiences for pre-professional musicians who attend during the Summer Assembly.
Prior to her time at the Institution, Suzanne taught in K-12 and higher education settings as a percussionist, conductor and music historian. Trained as a classical percussionist, she was a member of the Evansville Philharmonic Orchestra for 20 years and also enjoyed a performing career as pit musician for musicals on drum set. She was in high demand as guest conductor, clinician and adjudicator throughout Illinois and Indiana.