The highly anticipated musical adaptation of Kwame Alexander’s Newbery medal-winning novel, The Crossover, was commissioned and is being developed for the stage by the Chautauqua Theater Company. Hosted by Jade King Carroll, the producing artistic director of the Chautauqua Theater Company and director of The Crossover musical, the dynamic creative team behind the musical will gather on the Amphitheater stage for a conversation about the creative process, collaboration and what it means to be generative artists. The musical adaptation is being developed and workshopped both in Chautauqua and New York City, with Tony Award-winner Thomas Kail as creative consultant.

Kwame Alexander is a #1 New York Times bestselling author of 45 books, including Why Fathers Cry at Night; The Mighty Macy; Black Star, a Coretta Scott King Author Honor Book; J vs. K, an illustrated novel he penned with Jerry Craft; the motivational primer for graduates, creatives and professionals entitled Say Yes; and The Crossover, his Newbery Medal-winning novel turned Emmy Award-winning Disney+ TV series and forthcoming musical. Alexander is a 2026 Sine 250+ Fellow at American University and the founder of the literacy non-profit One Word at a Time.

He is also the co-creator and executive producer of the Emmy-nominated “Acoustic Rooster and His Barnyard Band and Acoustic Rooster: Jazzy Jams,” a PBS KIDS special and series of shorts produced by GBH Kids based on his beloved children’s book of the same name.

Alexander regularly shares his passion for literacy, books and the craft of writing around the world, including Ghana, West Africa, where he opened the Barbara E. Alexander Memorial Library and Health Clinic. He is the recipient of the 2025 NAACP Image Award.

Candrice Jones is a playwright and educator from Dermott, Arkansas. As a rising voice in American theater, she brings her poetic sensibility and powerful storytelling to the adaptation of The Crossover. She serves as a board member and educational outreach specialist of The Weekend Theater as well as Ozark Living Newspaper.

Jones’ primary goal as a writer is to write love letters for and to women of the American South. She is best known for writing “FLEX,” a play developed while she was a resident at the Voices of Our Nations Arts Foundation (VONA) Playwrights Festival, Ground Floor. FLEX premiered at Lincoln Center Theater in New York and Penumbra Theatre in St. Paul, Minnesota. Jones is also the author of the full-length play, “Crackbaby.” She has received virtual commissions from the People’s Light and Actors Theatre of Louisville.

Jones is a CalArts Critical Studies MFA recipient. She was a fellow at Callaloo for poetry at Brown University. She was also a former resident at MacDowell’s Colony of the Arts.

Christopher Jackson is a Tony Award- nominated actor, as well as a Grammy and Emmy Award-winning songwriter/composer best known for starring as George Washington in the critically acclaimed, award-winning musical “Hamilton” on Broadway and Disney+. As the creator of “The Crossover” musical score, he incorporates high-energy jazz and hip-hop to reflect the world full of dreams, melodies and rhythms.

In 2021, Jackson starred in Freestyle Love Supreme on Broadway alongside Lin-Manuel Miranda. His other Broadway credits include Holler if Ya Hear Me, After Midnight, The Bronx Bombers, In the Heights, Memphis and The Lion King. Off Broadway credits include Bronx Bombers, The Jammer, In the Heights, Cotton Club Parade, and Lonely, I’m Not.

Jackson’s TV and film credits include “And Just Like That,” “Bull,” “Freestyle Love Supreme,” “Person of Interest,” “A Gifted Man,” “Fringe,” “Gossip Girl,” “Tracers,” “Afterlife” and the 2021 film adaptation of “In the Heights.” Jackson voiced “Where You Are” for the Disney film “Moana,” and served as composer/songwriter for “Sesame Street,” garnering seven Emmy nominations and one win. He was also the co-music supervisor and writer for “The Electric Company” on PBS.

In 2018, “One Last Time (44 Remix)” was released which featured Jackson alongside President Barack Obama and BeBe Winans. Jackson won an Emmy Award for his song with Will.I.Am, “What I Am.”

Jackson has performed sold-out concerts all over the United States, including Carnegie Hall and Kennedy Center, and a command performance at the White House in 2023.

Jade King Carroll is a distinguished director specializing in new play development, and the Producing Artistic Director of Chautauqua Theater Company (CTC).

She has directed over 60 classical and contemporary productions nationwide at renowned venues. Most recently, she directed Chisa Hutchinson’s “Amerikin” at Primary Stages. Notable credits include “Proof of Love,” “Detroit ’67,” “Having Our Say,” “Red Velvet,” and multiple productions of August Wilson’s work—she is one of the few directors to have worked on every play in Wilson’s Century Cycle.

At CTC, Carroll is programming innovative new works, including the world premieres of “Tiny father” by Mike Lew (a co-production with Barrington Stage Company) and commissioned pieces, “The Light and The Dark (the Life and Times of Artemisia Gentileschi)” by Kate Hamill (co-produced with off-Broadway’s Primary Stages in NYC) and the world premiere of “The Witnesses” by C.A. Johnson. Under her leadership, CTC has secured two NYSCA grants and partnered with the Telsey Office for casting and the Drama League to expand its directing fellows’ program.

As a director of audio plays, Carroll’s work can be found with Audible, Marvel, and Broadway Podcast Network. She is also an educator that has guest lectured and directed at Juilliard, Rutgers, NYU, Princeton, and many more schools. She has an award from the August Wilson Estate as well as from her alma mater, SUNY New Paltz.

Stephanie Elizondo Griest is a globetrotting author from the Texas-Mexico borderlands. Currently a professor of creative nonfiction at the University of North Carolina-Chapel Hill, she has performed on five continents in capacities ranging from a Moth storyteller to a literary ambassador for the U.S. State Department.

Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman’s Global Exploration of the Joys and Torments of a Creative Life. Widely anthologized, Elizondo Griest has written for The New York Times, Washington Post, The Believer, BBC, Orion, VQR, and Oxford American, among others.

Griest’s work has won a Margolis Award for Social Justice Reporting, an International Latino Book Award, a PEN Southwest Book Award and two Lowell Thomas Travel Journalism prizes. She has been supported by the Henry Luce Foundation, Lannan Foundation, and the Hodder Fellowship at Princeton University.